Stacey Muhammad’s Drama Series ‘REDEMPTION, For Colored Boys’ Debuts

Stacey Muhammad is an award winning filmmaker and director. Her work includes the award winning “I AM SEAN BELL, black boys speak”, which was an official award winner at the HBO/Media that Matters Film Festival.  For Colored Boys is a series of short stories that follow the lives of African American men from various walks of life as they navigate and overcome challenges, face their fears and find their truth.

PictureThe show is produced in part by Cynical Smith, with music direction by General Steele and an acting debut made by Tekomin of Smif-n-Wessun.

The first season of For Colored Boys, subtitled REDEMPTION, follows the life of Benjamin Boyd, Sr. who upon release from prison seeks to reunite his family by rekindling his relationship with wife, “Lisa” and reassuming his role as father to his teenage daughter, Sidney and 20 year old son, “E”. A talented yet somewhat troubled young man, “E” has had to shoulder a tremendous amount of responsibility during his father’s incarceration.

WATCH BELOW – Season 1, Episode 1 Starring Julito McCullum and Rob Morgan. Tiye Phoenix, Roudy St. Fleur, Ryan Stephenson, Kai Muhammad and Danny Simmons

Episode 2

Episode 3

Episode 4

Episode 5

Synopsis: Accustomed to assisting his mother with his 15-year-old sister, Sidney, he is pulled and persuaded by the temptations of his environment to make money and help provide for his family.  Returning home, Benjamin finds his son is no longer a boy, but a man unwilling to acknowledge or accept the presence of his father.  In order to mend a troubled and fragile relationship and rebuild his family, Benjamin must be careful not to overstep his bounds, yet still re-establish his presence as E’s father.  Finding his place in a world he’s been estranged from is more difficult task than he could have ever imaged and suffering from Post Incarceration Syndrome makes it seem nearly impossible.

Written and Directed by Stacey Muhammad.
Cinematography by J. Anders Urmacher.
Edited by Kathryn Hood Moore
Original Music by Chris Rob

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